While reading the second chapter of Germany: A New History by Hagen Schulze, which covered fifteenth
through seventeenth century Germany, one topic that particularly stood out to
me was the idea of Counter-Reformation culture and its impact. I found it
interesting because when I previously considered the Protestant Reformation, I
always focused on the schism within the Church, the creation of new Christian
denominations, and the repercussions it had on European politics. Some nations,
like Ireland, still deal with the divide today. But I never really thought to
consider the Reformation and Counter-Reformation’s effects on European culture.
Art is a hobby of mine, so the Counter-Reformation’s impact on the arts also
interested me.
A map of religious divisions in Europe in 1648. The regions sharing similar religions influenced each other culturally. Since Germany was divided, the northeast and south developed much differently. source
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Following the Protestant Reformation, western and southern
Germany remained largely Catholic and thus was influenced by the
Counter-Reformation culture of southern Europe, especially France and Italy,
according to Schulze’s text. Because Protestant reformers rejected the use of
visual arts in the church, the northeast focused on music and the study of
language and literature. Even with an emphasis on literature, the common people
remained largely illiterate until the invention of the printing press. The Catholics
opposed Protestant severity and instead strongly encouraged the arts. This lead
to the development of an extravagant artistic, theatrical, and architectural
style, known as Baroque. The style was highly expressive and dramatic, yet
easily interpreted. Religious themes and ideas were communicated to the
illiterate masses through the arts, with the church as its sponsor.
The Basilica of the Fourteen Holy
Helpers (Basilika Vierzehnheiligen) in Bad Staffelstein, Bavaria. This church
demonstrates the extravagance of the Counter-Reformation. source
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The development of differing cultures, rooted in the
Reformation and Counter Reformation, continue to reveal the issues of unity and
identity in early German history. I found it especially interesting that the
consequences of the cultural divide can still be found in Germany today. Southern
Germans remain largely Catholic while those in the north and east are mostly
Protestant.
The divide can also be seen in German Baroque architecture. The
splendid cathedrals in the south contrast with the plain northern churches. I especially
look forward to experiencing this cultural difference as we explore German
architecture during our trip in December. (403)
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